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DOUGLAS是我的好朋友,為人正直又有愛心;DOUGLAS他只會推荐好東西！走過路過,千萬不要錯過！請參閱詳細商品資訊From Fu Manchu to Kung Fu Panda：Images of China in American Film要到處比價;尋找低價及可靠的網購地方!售價隨時會調整;特價有時效性,有需要的人動作要快!整理了GOOGLE上關於From Fu Manchu to Kung Fu Panda：Images of China in American Film搜尋前幾名排序的資料來輔助！ |
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整理資訊大致有分享文、開箱文、試用文、評鑑文、推薦文、是否便宜、優缺點等資訊.售價隨時會調整;特價有時效性,有需要的人動作要快!下面是整理過的資料;有From Fu Manchu to Kung Fu Panda：Images of China in American Film與其他類似值得參考的商品清單.LARRY也請我幫忙收集該商品資料！LARRY也嘗試積極推荐,並介紹我該商品優缺點。 |
詳細資料ISBN：9789888208692 規格：平裝 / 280頁 / 17 X 23 CM / 普通級 / 單色印刷 / 初版 出版地：香港 內容簡介 “FROM FU MANCHU TO KUNG FU PANDA CHRONICLES THE STRUGGLE WITHIN HOLLYWOOD FILM TO COME TO GRIPS WITH AMERICAN AMBIVALENCE TOWARD CHINA AS A NATION AGAINST THE BACKDROP OF ITS CURRENT ECONOMIC AND GEOPOLITICAL ASCENDANCY ON THE WORLD STAGE. REACHING BACK TO EARLY FILM PORTRAYALS OF CHINATOWN, CHRISTIAN MISSIONARIES, WARLORDS, AND PERVERSE VILLAINS BENT ON WORLD DOMINATION, GREENE MOVES FROM THE ‘YELLOW PERIL’ TO THE ‘RED MENACE’ AS SHE EXAMINES WWII AND COLD WAR CINEMA. SHE ALSO EXPLORES THE RANGE OF FILM FANTASIES CIRCULATING TODAY, FROM FILMS ABOUT TIBET TO CHINESE AMERICAN INDEPENDENT FEATURES AND THE GLOBAL POPULARITY OF KUNG FU CARTOONS. THIS ACCESSIBLE BOOK ALLOWS THESE FILMS TO SPEAK TO THE POST 9-11/OCCUPY WALL STREET GENERATION AND MAKES A WELCOME CONTRIBUTION TO DEBATES ABOUT HOLLYWOOD ORIENTALISM AND TRANSNATIONAL CHINESE FILM CONNECTIONS.”—GINA MARCHETTI, AUTHOR OF THE CHINESE DIASPORA ON AMERICAN SCREENS: RACE, SEX, AND CINEMA “A SIGNIFICANT WORK OF FILMOGRAPHY, NAOMI GREENE’S BOOK EXPLORES THE EXOTIC, AT TIMES MENACING, BUT ALWAYS FANTASTIC IMAGES OF CHINA FLICKERING ON THE SILVER SCREEN OF THE AMERICAN IMAGINATION. THE AUTHOR WRITES LUCIDLY, JARGON-FREE, AND WITH THE SURE-FOOTEDNESS OF A SEASONED SCHOLAR.”—YUNTE HUANG, AUTHOR OF CHARLIE CHAN: THE UNTOLD STORY OF THE HONORABLE DETECTIVE AND HIS RENDEZVOUS WITH AMERICAN HISTORY THROUGHOUT THE TWENTIETH CENTURY, AMERICAN FILMMAKERS HAVE EMBRACED CINEMATIC REPRESENTATIONS OF CHINA. BEGINNING WITH D.W. GRIFFITH’S SILENT CLASSIC BROKEN BLOSSOMS (1919) AND ENDING WITH THE COMPUTER-ANIMATED KUNG FU PANDA (2008), THIS BOOK EXPLORES CHINA’S CHANGING ROLE IN THE AMERICAN IMAGINATION. TAKING VIEWERS INTO ZONES THAT FREQUENTLY RESIST LOGICAL EXPRESSION OR MORE ORTHODOX HISTORICAL INVESTIGATION, THE FILMS SUGGEST THE WELTER OF INTENSE AND CONFLICTING IMPULSES THAT HAVE SURROUNDED CHINA. THEY MAKE CLEAR THAT CHINA HAS OFTEN SERVED AS THE VERY EMBODIMENT OF “OTHERNESS”—A KIND OF YARDSTICK OR CLOUDY MIRROR OF AMERICA ITSELF. IT IS A MIRROR THAT REFLECTS NOT ONLY HOW AMERICANS SEE THE RACIAL “OTHER” BUT ALSO A LARGER LANDSCAPE OF RACIAL, SEXUAL, AND POLITICAL PERCEPTIONS THAT TOUCH ON THE WAYS IN WHICH THE NATION ENVISIONS ITSELF AND ITS ROLE IN THE WORLD. IN THE UNITED STATES, THE EXCEPTIONAL EMOTIONAL CHARGE THAT IMBUES IMAGES OF CHINA HAS TENDED TO SWING VIOLENTLY FROM POSITIVE TO NEGATIVE AND BACK AGAIN: CHINA HAS BEEN LOVED AND—AS IS GENERALLY THE CASE TODAY—FEARED. USING FILM TO TRACE THESE DRAMATIC FLUCTUATIONS, AUTHOR NAOMI GREENE RELATES THEM TO THE LARGER ARC OF HISTORICAL AND POLITICAL CHANGE. SUGGESTING THAT FILMIC IMAGES BOTH REFLECT AND FUEL BROADER SOCIAL AND CULTURAL IMPULSES, SHE ARGUES THAT THEY REVEAL A CONSTANT TENSION OR DIALECTIC BETWEEN THE “SELF” AND THE “OTHER.” SIGNIFICANTLY, WITH THE IMPORTANT EXCEPTION OF FILMS MADE BY CHINESE OR CHINESE AMERICAN DIRECTORS, THE CHINESE OTHER IS ALMOST INVARIABLY PORTRAYED IN TERMS OF THE AMERICAN SELF. PLACED IN A BROADER CONTEXT, THIS ETHNOCENTRISM IS RELATED BOTH TO AN EVER-PRESENT SENSE OF AMERICAN EXCEPTIONALISM AND TO A MANICHEAN WORLD VIEW THAT PERCEIVES OTHER COUNTRIES AS FRIENDS OR ENEMIES |
資料來源：博客來
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